Reel Reviews | Lingui, the Sacred Bonds (TIFF ’21)
by David Ehrlich | IndieWire Mahamat-Saleh Haroun’s slender yet riveting “Lingui, the Sacred Bonds” is a story about a woman trying to secure
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Festival News
Reel Reviews | Mothering Sunday (TIFF ’21)
by Kate Erbland | IndieWire When Eva Husson’s lush, aching period drama opens, World War I has been over for more than five years.
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Reel Reviews | As in Heaven (TIFF ’21)
by Josie Meléndez | Full Circle The Toronto International Film Festival kicked off with a rocky start. However, the first films to initiate
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Reel Reviews | Concrete Cowboys
by Tim Gordon Welcome to Reel Reviews, This week, we review several films that were screened at the Middleburg Film Festival. Up next
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Reel Reviews | Mayday (Sundance ’21)
A War-Torn Feminist Fairy Tale That Doesn’t Go Far Enough by Travis Hopson | Punch Drunk Critics Karen Cinorre’s fantastical, feminist war film Mayday is
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Reel Reviews | Marvelous and The Black Hole (Sundance ’21)
by Kevin Sampson | Picture Lock We all have to deal with pain and grief at some point in our lives. While there
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Reel Reviews | Eight for Silver (Sundance ’21)
An Original, Bloody Good Take On The Werewolf Genre by Travis Hopson | Punch Drunk Critics Nobody comes to Sundance looking for werewolf
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Reel Reviews | R#J (Sundance ’21)
Tech Savvy Romeo & Juliet Is Worth Giving A “Like” by Travis Hopson | Punch Drunk Critics I don’t know if every generation
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