Reel Reviews | The Guilty (TIFF ’21)
by Kate Erbland | IndieWire It’s tempting to say only Jake Gyllenhaal could play the tricky leading role of a disgraced police officer in Antoine Fuqua’s jittery “The [read more]
Festival News
Reel Reviews | Lingui, the Sacred Bonds (TIFF ’21)
by David Ehrlich | IndieWire Mahamat-Saleh Haroun’s slender yet riveting “Lingui, the Sacred Bonds” is a story about a woman trying to secure an abortion [read more]
Reel Reviews | Mothering Sunday (TIFF ’21)
by Kate Erbland | IndieWire When Eva Husson’s lush, aching period drama opens, World War I has been over for more than five years. Textbook history [read more]
Reel Reviews | As in Heaven (TIFF ’21)
by Josie Meléndez | Full Circle The Toronto International Film Festival kicked off with a rocky start. However, the first films to initiate the festival [read more]
Reel Reviews | Concrete Cowboys
by Tim Gordon Welcome to Reel Reviews, This week, we review several films that were screened at the Middleburg Film Festival. Up next is Concrete [read more]
Reel Reviews | Mayday (Sundance ’21)
A War-Torn Feminist Fairy Tale That Doesn’t Go Far Enough by Travis Hopson | Punch Drunk Critics Karen Cinorre’s fantastical, feminist war film Mayday is what Sucker Punch might’ve [read more]
Reel Reviews | Marvelous and The Black Hole (Sundance ’21)
by Kevin Sampson | Picture Lock We all have to deal with pain and grief at some point in our lives. While there may be [read more]
Reel Reviews | Eight for Silver (Sundance ’21)
An Original, Bloody Good Take On The Werewolf Genre by Travis Hopson | Punch Drunk Critics Nobody comes to Sundance looking for werewolf movies, but [read more]