Reel Reviews | Mothering Sunday (TIFF ’21)
by Kate Erbland | IndieWire When Eva Husson’s lush, aching period drama opens, World War I has been over for more than five years. Textbook history [read more]
Festival News
Reel Reviews | As in Heaven (TIFF ’21)
by Josie Meléndez | Full Circle The Toronto International Film Festival kicked off with a rocky start. However, the first films to initiate the festival [read more]
Reel Reviews | Concrete Cowboys
by Tim Gordon Welcome to Reel Reviews, This week, we review several films that were screened at the Middleburg Film Festival. Up next is Concrete [read more]
Reel Reviews | Mayday (Sundance ’21)
A War-Torn Feminist Fairy Tale That Doesn’t Go Far Enough by Travis Hopson | Punch Drunk Critics Karen Cinorre’s fantastical, feminist war film Mayday is what Sucker Punch might’ve [read more]
Reel Reviews | Marvelous and The Black Hole (Sundance ’21)
by Kevin Sampson | Picture Lock We all have to deal with pain and grief at some point in our lives. While there may be [read more]
Reel Reviews | Eight for Silver (Sundance ’21)
An Original, Bloody Good Take On The Werewolf Genre by Travis Hopson | Punch Drunk Critics Nobody comes to Sundance looking for werewolf movies, but [read more]
Reel Reviews | R#J (Sundance ’21)
Tech Savvy Romeo & Juliet Is Worth Giving A “Like” by Travis Hopson | Punch Drunk Critics I don’t know if every generation deserves their [read more]
Reel Reviews | Passing (Sundance ’21)
Tessa Thompson And Ruth Negga Straddle The Color Line In Rebecca Hall’s Elegantly-Told Directorial Debut by Travis Hopson | Punch Drunk Critics Having starred in [read more]