Reel Reviews | R#J (Sundance ’21)

A close-up of a couple embracing tenderly with eyes closed.

Tech Savvy Romeo & Juliet Is Worth Giving A “Like”

by Travis Hopson | Punch Drunk Critics

I donโ€™t know if every generation deserves their own version of Romeo and Juliet, but they damn sure seem to keep getting them. In the case of Carey Williamsโ€™ inventive, wholly expected R#J, the film images of Shakespeareโ€™s tragic love story were a product of the Gen Z era, with a passionate tale of doomed lovers told through Instagram stories, tweets, TikTok, and Facetime. It makes for a propulsive, melodramatic effort that is stymied only by the technology itself which does much as it does in real life, which makes it hard to find a genuine connection.

An unexpected entry in the Screenlife genre enthusiastically supported by producer Timur Bekmambetov (UnfriendedSearching), R#J is told almost entirely through the lens of social media apps. The dialogue lifts faithfully, for the most part, from Shakespeareโ€™s text with the occasional modern reference and shorthand. Itโ€™s a flashy, energetic effort that captures the current โ€œall eyes on meโ€ mood: if you didnโ€™t post it, did it really happen?

The story beats remain mostly the same, too. Cameron Engels plays Romeo, a Verona native who captures his life in a series of Instagram posts shared to his many friends, family, and followers. The Montague clan heโ€™s a part of seem to have their own unique fan base, one in strict competition with the enemy Capulets. Described by his pals as โ€œemoโ€, and for very good reason, Cameron longs for Rosaline, who keeps ghosting him. He texts, and she doesnโ€™t respond, but sheโ€™s definitely online and keeping her followers happy. Time to get the hint.

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Publisher of TheFilmGordon, Creator of The Black Reel Awards and The LightReel Film Festival. Film Critic for WETA-TV (PBS) - a TRUE film addict!