Reel Reviews | Mayday (Sundance ’21)
A War-Torn Feminist Fairy Tale That Doesn’t Go Far Enough by Travis Hopson | Punch Drunk Critics Karen Cinorre’s fantastical, feminist war film Mayday is what Sucker Punch might’ve [read more]
Sundance ’21
Reel Reviews | Marvelous and The Black Hole (Sundance ’21)
by Kevin Sampson | Picture Lock We all have to deal with pain and grief at some point in our lives. While there may be [read more]
Reel Reviews | R#J (Sundance ’21)
Tech Savvy Romeo & Juliet Is Worth Giving A “Like” by Travis Hopson | Punch Drunk Critics I don’t know if every generation deserves their [read more]
Reel Reviews | Passing (Sundance ’21)
Tessa Thompson And Ruth Negga Straddle The Color Line In Rebecca Hall’s Elegantly-Told Directorial Debut by Travis Hopson | Punch Drunk Critics Having starred in [read more]
Reel Reviews | On the Count of Three (Sundance ’21)
Jerrod Carmichael And Christopher Abbott Lead An Unexpectedly Sweet Buddy Comedy About Suicidal Depression by Travis Hopson | Punch Drunk Critics Remember The Jerrod Carmichael [read more]
Reel Reviews | How it Ends (Sundance ’21)
Zoe Lister-Jones And A Starry Cast Seek Closure At The End Of The World by Travis Hopson | Punch Drunk Critics The calmest end-of-the-world catastrophe [read more]