Reel Reviews | War Machine
A brutal Ranger training mission spirals into extraterrestrial warfare in War Machine, a loud action spectacle that blends military grit with monster-movie mayhem.
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Reel Reviews | Hoppers
A determined college student becomes a robotic beaver to save her beloved wetlands in Pixar’s vibrant animated adventure filled with humor, heart and environmental urgency.
Reel Reviews | Youngblood
A gifted Black Canadian hockey phenom battles locker room toxicity and generational pressure in Hubert Davis’s urgent reimagining of Youngblood, where the fight for the NHL becomes a reckoning with race, legacy, and identity.
Reel Reviews | The Bluff
Priyanka Chopra Jonas delivers a committed performance, but Frank E. Flowers’ The Bluff sinks beneath uneven accents, murky visuals, and familiar genre beats.
Reel Reviews | How To Make A Killing Review
Glen Powell charms and chills as a would-be heir who decides patience is overrated in How To Make A Killing, a stylish dark comedy about inheritance, entitlement, and the dangerous math of revenge.
Reel Reviews | Wuthering Heights
Emerald Fennell turns Wuthering Heights into a raw, erotic storm of obsession and class warfare, powered by the combustible chemistry of Margot Robbie and Jacob Elordi.
Reel Reviews | Crime 101
Along the shadowed stretch of the 101 freeway, a master thief, a stubborn detective, and a forgotten broker collide in Bart Layton’s smart, slow-burn heist thriller Crime 101.
Reel Reviews | Good Luck, Have Fun, Don’t Die
Sam Rockwell leads a desperate band of strangers against a rogue artificial intelligence in Gore Verbinski’s unruly time-travel comedy, a messy, biting satire that refuses to play it safe.