Reel Reviews | Eddington
Aster’s latest is all sizzle and no steak, a pandemic parable that wastes a dream cast on scattershot satire and smug cynicism.
Aster’s latest is all sizzle and no steak, a pandemic parable that wastes a dream cast on scattershot satire and smug cynicism.
Arthur Fleck is institutionalized at Arkham, awaiting trial for his crimes as Joker. While struggling with his dual identity, Arthur not only stumbles upon true love but also finds the music that’s always been inside him in Joker: Folie à Deux.
C’mon, C’mon is an unexpected tasty treat. It is a very intelligent movie that does not let reason and sensibility override emotion and heart.
by Charles Kirkland Jr. Todd Phillips elicits a little sympathy for the devil as a super-villain gets a bold, super- inventive backstory as Joaquin Phoenix [read more]
by Tim Gordon This week on Reel Reviews, Travis Hopson and I discuss writer/director James Gray’s most personal and autobiographical film to date, the period [read more]
Here is the trailer for writer/director Spike Jonze’s wildly creative and highly-inventive sci-fi romantic film, Her.