Reel Reviews | Love Hurts
Ke Huy Quan trades Oscars for open houses in Love Hurts, a hitman-turned-realtor action comedy that aims for Guy Ritchie swagger but lands in straight-to-streaming territory.
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Reel Reviews | Omaha (Sundance ’25)
A grieving father takes his kids on a cross-country road trip in Cole Webley’s somber and unsettling debut, Omaha — a quiet meditation on loss, love, and the lengths we go to hold on when everything is falling apart.
Reel Reviews | Luz (Sundance ’25)
Luz weaves a tale of fractured families across Paris and Chongqing that converge in a surreal VR realm. While visually rich and thematically ambitious, the film struggles to ground its emotional core.
Reel Reviews | BLKNWS: Terms & Conditions (Sundance ’25)
A dreamlike essay film that fuses history, identity, and visual poetry into something unforgettable.
Reel Reviews | Train Dreams (Sundance ’25)
Joel Edgerton gives the performance of his career in a film that lingers like a half-forgotten dream.
Reel Reviews | Den of Thieves 2: Pantera
What started as L.A. crime grit is now Eurotrash confusion.
Lioness (Recap) | The Devil Has Aces (S2 E7)
Lioness Season 2 Episode 7 Recap explores “The Devil Has Aces” as Joe defies medical orders to return to the field, Kaitlyn clears Gutierrez, and the Lioness team prepares for a mission that could reshape the global balance of power.
Reel Spotlight | Aldis Hodge
Aldis Hodge’s dynamic performance as James Patterson’s celebrated detective character, Alex Cross, in the upcoming series, Cross introduces audiences to a brilliant and determined investigator.