Reel Reviews | The Middle Man (TIFF ’21)
by Jared Mobarak | The Film Stage Frank Farelli (Pål Sverre Hagen) has been unemployed in a dying town for quite some time.
Reel Reviews
Reel Reviews | Vuta N’Kuvute (Tug of War) (TIFF ’21)
by Christopher Vourlias | Variety For the first time in its 46-year history, a Tanzanian film is part of the official selection of the Toronto Film [read more]
Reel Reviews | Maria Chapdelaine (TIFF ’21)
By Dennis Harvey | Variety Among authors who didn’t live to witness their own success, Louis Hemon is a particularly unfortunate case — his novel “Maria [read more]
Reel Reviews | I’m Your Man (TIFF ’21)
by Eric Kohn | IndieWire The concept of human-robot love has provided fertile ground for sci-fi storytelling, from Data in “Star Trek” to the disembodied [read more]
Reel Reviews | Quickening (TIFF ’21)
by Etan Vlessing | The Hollywood Reporter Haya Waseem’s Quickening is part of a new wave of immigrant films from Canadian filmmakers telling first-generation tales of having [read more]
Reel Reviews | Farha (TIFF ’21)
by Jared Mobarek | TIFF The text reads: Palestine, 1948. That’s all you need to know to understand what’s coming.
Reel Reviews | The Mad Woman’s Ball (TIFF ’21)
David Ehrlich | IndieWire When Victor Hugo was laid to rest in June of 1885, 40,000 people slept on the streets of Paris in order [read more]
Reel Reviews | Lakewood (TIFF ’21)
by Kristen Lopez | IndieWire There’s been no better time to craft a single-person thriller, especially with the pandemic forcing creators to limit how many [read more]