Reel Reviews | The Starling (TIFF ’21)
by Kate Erbland | IndieWire Let’s get this out of the way: The eponymous bird at the center of Theodore Melfi’s cloying, if still tender-hearted dramedy [read more]
Reel Reviews
Reel Reviews | The Wheel (TIFF ’21)
by Jared Mobarak | The Film Stage Despite only being 24 years old, Walker (Taylor Gray) and Albee (Amber Midthunder) head into the woods from [read more]
Reel Reviews | Oscar Peterson: Black + White (TIFF ’21)
by Alex Heeney | Seventh Row It’s hard to believe that we’ve yet to have a documentary on the life and work of the great [read more]
Reel Reviews | Listening to Kenny G (TIFF ’21)
by Christian Blauvelt | IndieWire “How’re you feeling?” Penny Lane asks Kenny G. G turns, and pauses a beat. “Uh… Underappreciated, in general.”
Reel Reviews | The Gravedigger’s Wife (TIFF ’21)
by Joy C. Ashford | The Harvard Crimson Khadar Ayderus Ahmed’s directorial debut, “The Gravedigger’s Wife,” brought an earnest, somber warmth to the festival’s opening [read more]
Reel Reviews | The Electrical Life of Louis Wain (TIFF ’21)
by David Erlich | IndieWire Fresh off delivering the best and most unexpected performance of his career in Jane Campion’s “The Power of the Dog,” Benedict [read more]
Reel Reviews | Good Madam (TIFF ’21)
by Jared Mobarak | The Film Stage A matriarch passes and the family swarms to poach whatever they can in the aftermath.
Reel Reviews | The Hill Where Lionesses Roar (TIFF ’21)
by Kate Erbland | Indie Wire 2019 was a banner year for rising star Luàna Bajrami: the Kosovo-born French actress and filmmaker was lauded for [read more]