Reel Reviews | The Last Duel
by Charles Kirkland Jr. The true story of the last reported duel in France gets a movie treatment in the simply titled, The Last Duel.
Reel Reviews
Reel Reviews | No Time to Die
by Charles Kirkland, Jr. It’s the end of the road for Daniel Craig as he bids adieu to James Bond in the epic conclusion to [read more]
Reel Reviews | See You Then (NFF ’21)
by Charles Kirkland Jr. A decade after abruptly breaking up with Naomi, Kris invites her to dinner to catch up on their complicated lives, changes, [read more]
Reel Reviews | Venom: Let There Be Carnage
By Charles Kirkland Jr. Tom Hardy returns as the Lethal Protector takes on a whole new symbiote and his deadly friend in Venom: Let There [read more]
Reel Reviews | Silent Night (TIFF ’21)
by Alonso Duralde | The Wrap In “Silent Night,” first-time writer-director Camille Griffin wickedly weaves together holiday-movie and end-of-the-world–movie tropes, but once the shock of that juxtaposition [read more]
Reel Reviews | Medusa
In Anita Rocha da Silveira’s haunting Medusa, purity and violence collide in a surreal evangelical town where masked young women hunt “sinners” in God’s name — until one follower starts to see the monstrous truth behind the masks.
Reel Reviews | Copshop
by Charles Kirkland Jr. A hitman goes to the extreme to take out his mark in the crime-action thriller, Copshop.
Reel Reviews | The Good House (TIFF ’21)
by David Ehrlich | IndieWire “I never drank alone before rehab,” cracks Hildy Good (Sigourney Weaver), a divorced, 60-year-old real estate agent whose façade of [read more]