Reel Review | The Bride!
Maggie Gyllenhaal’s bold reimagining of the Frankenstein myth finds romance, rebellion and unexpected tenderness in the unlikely bond between two misunderstood monsters.
Film Reviews
Reel Reviews | How To Make A Killing Review
Glen Powell charms and chills as a would-be heir who decides patience is overrated in How To Make A Killing, a stylish dark comedy about inheritance, entitlement, and the dangerous math of revenge.
Reel Reviews | Wuthering Heights
Emerald Fennell turns Wuthering Heights into a raw, erotic storm of obsession and class warfare, powered by the combustible chemistry of Margot Robbie and Jacob Elordi.
Reel Reviews | Crime 101
Along the shadowed stretch of the 101 freeway, a master thief, a stubborn detective, and a forgotten broker collide in Bart Layton’s smart, slow-burn heist thriller Crime 101.
Reel Reviews | Good Luck, Have Fun, Don’t Die
Sam Rockwell leads a desperate band of strangers against a rogue artificial intelligence in Gore Verbinski’s unruly time-travel comedy, a messy, biting satire that refuses to play it safe.
Reel Reviews | Abril (Santa Barbara Film Festival ’26)
When her daughter chooses life with her absent father, one mother must rebuild herself from the inside out in Abril, a heartfelt indie drama filled with grace, ache, and hard-earned hope.
Reel Reviews | Goat
A small city goat with big dreams joins the Vineland Thorns and proves that size doesn’t matter in the animated sports adventure Goat.
Reel Reviews | Scarlet
Mamoru Hosoda’s Scarlet blends fantasy spectacle with Shakespearean tragedy, following a princess who crosses time and space to avenge her father’s death.