Reel Reviews | Judas and the Black Messiah
by Tim Gordon Judas and the Black Messiah is a biographical drama film directed and produced by Shaka King, from a screenplay written by King [read more]
Reel Reviews | Malcolm & Marie
by Tim Gordon Malcolm & Marie is a black-and-white drama, written and directed by Sam Levinson. When filmmaker Malcolm his girlfriend Marie return home from [read more]
Reel Reviews | Son of the South
by Tim Gordon Son of the South is a biographical historical drama film, written and directed by Barry Alexander Brown. Based on Bob Zellner’s autobiography, [read more]
Reel Reviews | Mayday (Sundance ’21)
A War-Torn Feminist Fairy Tale That Doesn’t Go Far Enough by Travis Hopson | Punch Drunk Critics Karen Cinorre’s fantastical, feminist war film Mayday is what Sucker Punch might’ve [read more]
Reel Reviews | Marvelous and The Black Hole (Sundance ’21)
by Kevin Sampson | Picture Lock We all have to deal with pain and grief at some point in our lives. While there may be [read more]
Reel Reviews | Eight for Silver (Sundance ’21)
An Original, Bloody Good Take On The Werewolf Genre by Travis Hopson | Punch Drunk Critics Nobody comes to Sundance looking for werewolf movies, but [read more]
Reel Reviews | R#J (Sundance ’21)
Tech Savvy Romeo & Juliet Is Worth Giving A “Like” by Travis Hopson | Punch Drunk Critics I don’t know if every generation deserves their [read more]
Reel Reviews | Passing (Sundance ’21)
Tessa Thompson And Ruth Negga Straddle The Color Line In Rebecca Hall’s Elegantly-Told Directorial Debut by Travis Hopson | Punch Drunk Critics Having starred in [read more]