Reel Reviews | The Guilty (TIFF ’21)
by Kate Erbland | IndieWire It’s tempting to say only Jake Gyllenhaal could play the tricky leading role of a disgraced police officer in Antoine Fuqua’s jittery “The [read more]
Reel Reviews | Lingui, the Sacred Bonds (TIFF ’21)
by David Ehrlich | IndieWire Mahamat-Saleh Haroun’s slender yet riveting “Lingui, the Sacred Bonds” is a story about a woman trying to secure an abortion [read more]
Reel Reviews | Mothering Sunday (TIFF ’21)
by Kate Erbland | IndieWire When Eva Husson’s lush, aching period drama opens, World War I has been over for more than five years. Textbook history [read more]
Reel Reviews | As in Heaven (TIFF ’21)
by Josie Meléndez | Full Circle The Toronto International Film Festival kicked off with a rocky start. However, the first films to initiate the festival [read more]
Reel Reviews | Queenpins
by Tim Gordon Two friends, at desperate states of desperation, concoct a complex coupon caper the likes rarely seen in this Horatio Alger rags-to-riches suburban [read more]
Reel Reviews | Worth
By Charles Kirkland Jr. What is the value of a man’s life? It may be easy to decide upon for just one life but what [read more]
Reel Reviews | The Madness Inside Me
by Charles Kirkland Jr. How far can one person go to try to understand the criminal psyche before they become trapped by it? A woman [read more]
Reel Reviews | Show Me The Father
By Charles Kirkland Jr. The latest film from the Kendrick brothers is not a narrative feature but an evangelistic documentary about the importance of fathers [read more]