Reel Reviews | Oscar Peterson: Black + White (TIFF ’21)
by Alex Heeney | Seventh Row It’s hard to believe that we’ve yet to have a documentary on the life and work of the great [read more]
Search Results for : Reel Reviews
Reel Reviews | Listening to Kenny G (TIFF ’21)
by Christian Blauvelt | IndieWire “How’re you feeling?” Penny Lane asks Kenny G. G turns, and pauses a beat. “Uh… Underappreciated, in general.”
Reel Reviews | The Gravedigger’s Wife (TIFF ’21)
by Joy C. Ashford | The Harvard Crimson Khadar Ayderus Ahmed’s directorial debut, “The Gravedigger’s Wife,” brought an earnest, somber warmth to the festival’s opening [read more]
Reel Reviews | The Electrical Life of Louis Wain (TIFF ’21)
by David Erlich | IndieWire Fresh off delivering the best and most unexpected performance of his career in Jane Campion’s “The Power of the Dog,” Benedict [read more]
Reel Reviews | Good Madam (TIFF ’21)
by Jared Mobarak | The Film Stage A matriarch passes and the family swarms to poach whatever they can in the aftermath.
Reel Reviews | The Hill Where Lionesses Roar (TIFF ’21)
by Kate Erbland | Indie Wire 2019 was a banner year for rising star Luàna Bajrami: the Kosovo-born French actress and filmmaker was lauded for [read more]
Reel Reviews | Dionne Warwick: Don’t Make Me Over (TIFF ’21)
by Kristen Lopez | IndieWire In a year that’s seen Hollywood attempt to tell Aretha Franklin’s story twice, watching a documentary on Dionne Warwick is a breath [read more]
Reel Reviews | All My Puny Sorrows (TIFF ’21)
by Shaun Munro | Flickering Myth Michael McGowan’s (Still Mine) adaptation of Miriam Toews’ 2014 novel of the same name boldly examines the difficult realities [read more]