Reel Reviews - Page 32 of 167

Reel Reviews | Love, Brooklyn (Sundance ’25)

A love letter to Brooklyn that forgets to seal the envelope.

The comeback no one saw coming, and everyone should have run from.

Joel Edgerton gives the performance of his career in a film that lingers like a half-forgotten dream.

A sobering look at how invisibility can lead to extremity, told with nuance and care.

A haunting meditation on grief and guilt, anchored by a quietly riveting performance from Ekin Koç.

Stephan James is quietly compelling, but the film never digs deep enough.

A soulful, searing portrait of a pioneer who changed everything, and paid dearly for it.

A satire without sharpness, more muddled than meaningful.