Reel Reviews | Shadow Force

Concerned family in a tense moment indoors.

by Tim Gordon

Shadow Force wants to be a high-octane, globe-trotting action thriller with a beating heart, but despite a slick premise and Joe Carnahan’s knack for visceral set pieces, the film struggles to deliver anything that truly sticks.

On paper, it sounds like a winning setup: eight years ago, elite assassins Kyrah Owens (Kerry Washington) and Issac Sarr (Omar Sy) led a deadly CIA black ops unit called Shadow Force. Their handler, Jack Cinder (Mark Strong), made them ghosts, off the books and the grid, until love and family complicated the mission. When Kyrah discovered she was pregnant, they faked their deaths and vanished to raise their son, unaware that Cinder’s thirst for revenge would keep them in his crosshairs for years to come.

When a desperate bank job backfires and exposes their location, Kyrah and Issac find themselves hunted once again by their people, a ruthless kill squad trained to erase any loose ends. Forced to flee their secluded jungle home for the dark corners of Colombia and beyond, they’re pushed to the edge to protect their son from the same system that once owned them. It’s a cat-and-mouse chase packed with double-crosses, bloody betrayals, and the looming sense that no matter how far they run, they can’t outrun their past.

Carnahan (The Grey, Smokin’ Aces) still knows how to stage gritty, bone-crunching action. When the bullets fly, Shadow Force delivers some satisfyingly tense sequences: a nighttime ambush at the family’s hideout, a brutal fight inside a drug lord’s compound, and a final standoff on a remote island that feels ripped from a sweaty ‘90s B-movie, in a good way. You can sense Carnahan’s love for old-school action flicks in every practical stunt and handheld camera shake.

But where the action hits, the story never does. The script, co-written by Carnahan and Leon Chills, is a patchwork of genre clichés that squanders its best asset: Kerry Washington. She’s an endlessly watchable, fiercely talented actor who can snap from warm maternal instincts to ice-cold killer in seconds — but here she’s stuck trying to wring emotion from a script that gives her about as much to work with as a wet paper bag. Omar Sy, so magnetic in Lupin, does his best to match her, but the film never gives their characters the layered backstory or honest stakes needed to make their desperate love feel earned.

Mark Strong, meanwhile, leans into B-movie villainy as Jack Cinder, chewing scenery with cartoonish menace but never becoming more than a stock sociopath with a personal vendetta. Da’Vine Joy Randolph and Clifford “Method Man” Smith pop up as shady CIA operatives pulling strings in the shadows, but they’re stuck on the sidelines, wasted on subplots that barely matter.

What’s frustrating is that you can see the bones of a better movie here — a rogue spy couple protecting their child at all costs, forced to face the consequences of a life spent in the shadows. But Shadow Force is more interested in familiar betrayals and gunfights than in exploring what it means to raise a family under constant threat. You never feel the pulse of genuine danger or emotion that made classics like True Lies or even Mr. & Mrs. Smith work so well.

By the time the final bullets fly and the credits roll, you’re left with the nagging sense you’ve seen this story told sharper, smarter, and with way more fun elsewhere. Kerry Washington deserves better. So do audiences craving an action movie that remembers stakes matter as much as stunts.

Grade: C-

About FilmGordon

Publisher of TheFilmGordon, Creator of The Black Reel Awards and The LightReel Film Festival. Film Critic for WETA-TV (PBS) - a TRUE film addict!