Reel Reviews | Silent Night (TIFF ’21)
by Alonso Duralde | The Wrap In “Silent Night,” first-time writer-director Camille Griffin wickedly weaves together holiday-movie and end-of-the-world–movie tropes, but once the shock of
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Reel Reviews | Copshop
by Charles Kirkland Jr. A hitman goes to the extreme to take out his mark in the crime-action thriller, Copshop.
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Reel Reviews | Snakehead (TIFF ’21)
by Kristen Lopez | IndieWire “Chinatown doesn’t change for anybody,” says Jade Wu’s Dai Mah late in Evan Jackson Leong’s “Snakehead,” the kind
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Reel Reviews | The Good House (TIFF ’21)
by David Ehrlich | IndieWire “I never drank alone before rehab,” cracks Hildy Good (Sigourney Weaver), a divorced, 60-year-old real estate agent whose
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Reel Reviews | The Middle Man (TIFF ’21)
by Jared Mobarak | The Film Stage Frank Farelli (Pål Sverre Hagen) has been unemployed in a dying town for quite some time.
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Reel Reviews | Vuta N’Kuvute (Tug of War) (TIFF ’21)
by Christopher Vourlias | Variety For the first time in its 46-year history, a Tanzanian film is part of the official selection of
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Reel Reviews | Maria Chapdelaine (TIFF ’21)
By Dennis Harvey | Variety Among authors who didn’t live to witness their own success, Louis Hemon is a particularly unfortunate case — his
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Reel Reviews | I’m Your Man (TIFF ’21)
by Eric Kohn | IndieWire The concept of human-robot love has provided fertile ground for sci-fi storytelling, from Data in “Star Trek” to
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Reel Reviews | Quickening (TIFF ’21)
by Etan Vlessing | The Hollywood Reporter Haya Waseem’s Quickening is part of a new wave of immigrant films from Canadian filmmakers telling first-generation tales
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Reel Reviews | Farha (TIFF ’21)
by Jared Mobarek | TIFF The text reads: Palestine, 1948. That’s all you need to know to understand what’s coming.
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