Reel Reviews | The Hill Where Lionesses Roar (TIFF ’21)
by Kate Erbland | Indie Wire 2019 was a banner year for rising star Luàna Bajrami: the Kosovo-born French actress and filmmaker was
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Reel Reviews
Reel Reviews | Dionne Warwick: Don’t Make Me Over (TIFF ’21)
by Kristen Lopez | IndieWire In a year that’s seen Hollywood attempt to tell Aretha Franklin’s story twice, watching a documentary on Dionne Warwick is
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Reel Reviews | All My Puny Sorrows (TIFF ’21)
by Shaun Munro | Flickering Myth Michael McGowan’s (Still Mine) adaptation of Miriam Toews’ 2014 novel of the same name boldly examines the
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Reel Reviews | The Guilty (TIFF ’21)
by Kate Erbland | IndieWire It’s tempting to say only Jake Gyllenhaal could play the tricky leading role of a disgraced police officer in Antoine Fuqua’s
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Reel Reviews | Lingui, the Sacred Bonds (TIFF ’21)
by David Ehrlich | IndieWire Mahamat-Saleh Haroun’s slender yet riveting “Lingui, the Sacred Bonds” is a story about a woman trying to secure
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Reel Reviews | Mothering Sunday (TIFF ’21)
by Kate Erbland | IndieWire When Eva Husson’s lush, aching period drama opens, World War I has been over for more than five years.
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Reel Reviews | As in Heaven (TIFF ’21)
by Josie Meléndez | Full Circle The Toronto International Film Festival kicked off with a rocky start. However, the first films to initiate
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Reel Reviews | Queenpins
by Tim Gordon Two friends, at desperate states of desperation, concoct a complex coupon caper the likes rarely seen in this Horatio Alger
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