Reel Reviews | The Mad Woman’s Ball (TIFF ’21)
David Ehrlich | IndieWire When Victor Hugo was laid to rest in June of 1885, 40,000 people slept on the streets of Paris
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Reel Reviews
Reel Reviews | Lakewood (TIFF ’21)
by Kristen Lopez | IndieWire There’s been no better time to craft a single-person thriller, especially with the pandemic forcing creators to limit
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Reel Reviews | The Starling (TIFF ’21)
by Kate Erbland | IndieWire Let’s get this out of the way: The eponymous bird at the center of Theodore Melfi’s cloying, if still
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Reel Reviews | The Wheel (TIFF ’21)
by Jared Mobarak | The Film Stage Despite only being 24 years old, Walker (Taylor Gray) and Albee (Amber Midthunder) head into the
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Reel Reviews | Oscar Peterson: Black + White (TIFF ’21)
by Alex Heeney | Seventh Row It’s hard to believe that we’ve yet to have a documentary on the life and work of
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Reel Reviews | Listening to Kenny G (TIFF ’21)
by Christian Blauvelt | IndieWire “How’re you feeling?” Penny Lane asks Kenny G. G turns, and pauses a beat. “Uh… Underappreciated, in general.”
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Reel Reviews | The Gravedigger’s Wife (TIFF ’21)
by Joy C. Ashford | The Harvard Crimson Khadar Ayderus Ahmed’s directorial debut, “The Gravedigger’s Wife,” brought an earnest, somber warmth to the
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Reel Reviews | The Electrical Life of Louis Wain (TIFF ’21)
by David Erlich | IndieWire Fresh off delivering the best and most unexpected performance of his career in Jane Campion’s “The Power of
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