Reel Reviews | Farha (TIFF ’21)
by Jared Mobarek | TIFF The text reads: Palestine, 1948. That’s all you need to know to understand what’s coming.
Reel Reviews | The Mad Woman’s Ball (TIFF ’21)
David Ehrlich | IndieWire When Victor Hugo was laid to rest in June of 1885, 40,000 people slept on the streets of Paris in order [read more]
Reel Reviews | Lakewood (TIFF ’21)
by Kristen Lopez | IndieWire There’s been no better time to craft a single-person thriller, especially with the pandemic forcing creators to limit how many [read more]
Reel Reviews | The Starling (TIFF ’21)
by Kate Erbland | IndieWire Let’s get this out of the way: The eponymous bird at the center of Theodore Melfi’s cloying, if still tender-hearted dramedy [read more]
Reel Reviews | The Wheel (TIFF ’21)
by Jared Mobarak | The Film Stage Despite only being 24 years old, Walker (Taylor Gray) and Albee (Amber Midthunder) head into the woods from [read more]
Reel Reviews | Oscar Peterson: Black + White (TIFF ’21)
by Alex Heeney | Seventh Row It’s hard to believe that we’ve yet to have a documentary on the life and work of the great [read more]
Reel Reviews | Listening to Kenny G (TIFF ’21)
by Christian Blauvelt | IndieWire “How’re you feeling?” Penny Lane asks Kenny G. G turns, and pauses a beat. “Uh… Underappreciated, in general.”
Reel Reviews | The Gravedigger’s Wife (TIFF ’21)
by Joy C. Ashford | The Harvard Crimson Khadar Ayderus Ahmed’s directorial debut, “The Gravedigger’s Wife,” brought an earnest, somber warmth to the festival’s opening [read more]