by Alonso Duralde | The Wrap In “Silent Night,” first-time writer-director Camille Griffin wickedly weaves together holiday-movie and end-of-the-world–movie tropes, but once the shock of
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by Kristen Lopez | IndieWire “Chinatown doesn’t change for anybody,” says Jade Wu’s Dai Mah late in Evan Jackson Leong’s “Snakehead,” the kind
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